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  • 1
    Online Resource
    Online Resource
    Melinda Baldwin, Making Nature : The History of a Scientific Journal. Chicago: The University of Chicago Press, 2015. Pp. 328. ISBN 978-0-226-26145-4. $45.00 (hardback).
    Cambridge University Press (CUP) ; 2016
    In:  The British Journal for the History of Science Vol. 49, No. 2 ( 2016-06), p. 301-302
    Details
    In: The British Journal for the History of Science, Cambridge University Press (CUP), Vol. 49, No. 2 ( 2016-06), p. 301-302
    Type of Medium: Online Resource
    ISSN: 0007-0874 , 1474-001X
    URL: Article
    DOI: 10.1017/S0007087416000480
    RVK:
    AK 10100
    RVK:
    AK 10188
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2016
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  • 2
    Online Resource
    Online Resource
    Theorizing about Performance: Why Now?
    Cambridge University Press (CUP) ; 1990
    In:  New Theatre Quarterly Vol. 6, No. 23 ( 1990-08), p. 231-234
    Details
    In: New Theatre Quarterly, Cambridge University Press (CUP), Vol. 6, No. 23 ( 1990-08), p. 231-234
    Abstract: This article continues NTQ's recent exploration of the interaction between the study of theatrical performance and other disciplines – in this case, relating in particular to ‘Quantum Physics and the Language of Theatre’, published in NTQ 18 (1989). Schmitt argues that there is a correspondence between the contemporary interest in performance theory and the view of nature provided by modern physics. The analysis of nature in terms of events rather than objects, the perception of reality as a network of non-teleological, non-hierarchical relations, the interest in the interplay between nature and our perception of it: all correlate, she suggests, with an interest in theory of performance. Natalie Crohn Schmitt is Professor of Theater at the University of lllinois at Chicago. She published ‘Stanislavski, Creativity, and the Unconscious’ in NTQ 8 (1986), and has also published in Theatre Notebook, The British Journal of Aesthetics, Theatre Journal, Comparative Drama, Theatre Survey , and elsewhere. Her full-length study. Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature has just appeared, from Northwestern University Press.
    Type of Medium: Online Resource
    ISSN: 0266-464X , 1474-0613
    URL: Article
    DOI: 10.1017/S0266464X0000453X
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 1990
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  • 3
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    Online Resource
    Approche quantitative d’un projet intellectuel
    Cambridge University Press (CUP) ; 2020
    In:  Annales. Histoire, Sciences Sociales Vol. 75, No. 3-4 ( 2020-09), p. 583-608
    Details
    In: Annales. Histoire, Sciences Sociales, Cambridge University Press (CUP), Vol. 75, No. 3-4 ( 2020-09), p. 583-608
    Abstract: The Annales have published 1,182 articles since 1990. Together, they form an image of the journal that can be subjected to quantitative analysis, shedding light, in particular, on the gap between the intellectual project and editorial practice after the “critical turn.” This essay proposes to observe the chronological distribution of the articles, then to cross-reference their various disciplinary and thematic categories. As a central component of the Annales ’ epistemological program, interdisciplinarity occupies an important place, though it comes up against strong limits due to the nature of the journal and a context of “redisciplinarization” in the social sciences. The quantitative approach reveals the relative absence of certain themes otherwise central to recent research in the social sciences, such as gender studies. It also highlights the fecundity of certain intersecting approaches—for example, anthropology and the history of politics and law. Finally, the reflexive and epistemological dimension of numerous articles published in the Annales remains one of the keys to the dialogue between history and the social sciences as envisioned by the journal.
    Type of Medium: Online Resource
    ISSN: 0395-2649 , 1953-8146
    URL: Article
    DOI: 10.1017/ahss.2021.10
    RVK:
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    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2020
    detail.hit.zdb_id: 298-7
    detail.hit.zdb_id: 2209294-8
    SSG: 8,2
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  • 4
    Online Resource
    Online Resource
    ‘Keeping in the race’: physics, publication speed and national publishing strategies in Nature , 1895–1939
    Cambridge University Press (CUP) ; 2014
    In:  The British Journal for the History of Science Vol. 47, No. 2 ( 2014-06), p. 257-279
    Details
    In: The British Journal for the History of Science, Cambridge University Press (CUP), Vol. 47, No. 2 ( 2014-06), p. 257-279
    Abstract: By the onset of the Second World War, the British scientific periodical Nature – specifically, Nature 's ‘Letters to the editor’ column – had become a major publication venue for scientists who wished to publish short communications about their latest experimental findings. This paper argues that the Nobel Prize-winning physicist Ernest Rutherford was instrumental in establishing this use of the ‘Letters to the editor’ column in the early twentieth century. Rutherford's contributions set Nature apart from its fellow scientific weeklies in Britain and helped construct a defining feature of Nature 's influence in the twentieth century. Rutherford's participation in the journal influenced his students and colleagues in the field of radioactivity physics and drew physicists like the German Otto Hahn and the American Bertram Borden Boltwood to submit their work to Nature as well, and Nature came to play a major role in spreading news of the latest research in the science of radioactivity. Rutherford and his colleagues established a pattern of submissions to the ‘Letters to the editor’ that would eventually be adopted by scientists from diverse fields and from laboratories around the world.
    Type of Medium: Online Resource
    ISSN: 0007-0874 , 1474-001X
    URL: Article
    DOI: 10.1017/S0007087413000381
    RVK:
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    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2014
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  • 5
    Online Resource
    Online Resource
    Walsh on Causes and Evolution
    Cambridge University Press (CUP) ; 2010
    In:  Philosophy of Science Vol. 77, No. 3 ( 2010-07), p. 457-467
    Details
    In: Philosophy of Science, Cambridge University Press (CUP), Vol. 77, No. 3 ( 2010-07), p. 457-467
    Abstract: Denis Walsh has written a striking new defense in this journal of the statisticalist (i.e., noncausalist) position regarding the forces of evolution. I defend the causalist view against his new objections. I argue that the heart of the issue lies in the nature of nonadditive causation. Detailed consideration of that turns out to defuse Walsh's ‘description-dependence’ critique of causalism. Nevertheless, the critique does suggest a basis for reconciliation between the two competing views.
    Type of Medium: Online Resource
    ISSN: 0031-8248 , 1539-767X
    URL: Article
    DOI: 10.1086/652965
    RVK:
    CA 1000
    RVK:
    AK 10100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2010
    detail.hit.zdb_id: 2066891-0
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  • 6
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    Online Resource
    Justus Leibig Universität Giessen: a New Direction in German Theatre Training
    Cambridge University Press (CUP) ; 2003
    In:  New Theatre Quarterly Vol. 19, No. 3 ( 2003-08), p. 278-285
    Details
    In: New Theatre Quarterly, Cambridge University Press (CUP), Vol. 19, No. 3 ( 2003-08), p. 278-285
    Abstract: Since the post-war reorganization of education that began in 1949, the purpose and nature of German theatre training has perpetuated a division between performance and technical training, provided by vocational schools (or Hochschulen), while university programmes offer degrees in Theatre Science ( Theaterwissenschaft ), theory, or other academic areas. The course of studies at Justus Leibig Universität Giessen is one of the first to break away from this established model, offering a hybrid programme combining the study of theory and practice. Having featured a number of international guest artists as teachers, including Robert Wilson, Heiner Müller, John Jessurun, and Heiner Goebbels, the programme continues to be a centre of innovation in the changing landscape of German theatre education. Steve Earnest is an Assistant Professor of Theatre Arts at California State University, San Bernardino. His published work includes The State Acting Academy of East Berlin (Mellen Press, 1999), and articles in Performer Training (Harwood Publishers, 2001), Theatre Journal, Western European Stages , and The Journal of Dramatic Theory and Criticism . He is also active in southern California professional theatre.
    Type of Medium: Online Resource
    ISSN: 0266-464X , 1474-0613
    URL: Article
    DOI: 10.1017/S0266464X03000174
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2003
    detail.hit.zdb_id: 2030067-0
    SSG: 9,3
    SSG: 7,25
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  • 7
    Online Resource
    Online Resource
    ‘So Many Things Can Go Together’: the Theatricality of John Cage
    Cambridge University Press (CUP) ; 1995
    In:  New Theatre Quarterly Vol. 11, No. 41 ( 1995-02), p. 72-78
    Details
    In: New Theatre Quarterly, Cambridge University Press (CUP), Vol. 11, No. 41 ( 1995-02), p. 72-78
    Abstract: John Cage (1912–1993) is widely regarded as one of the most pervasively influential figures in the arts in the latter half of the twentieth-century. Although best known as a composer, Cage expanded perceptions of what could constitute theatrical performance, and in this essay Natalie Crohn Schmitt assesses the nature and significance of Cage's intermedia performances and their immediate influence on other such work. Natalie Crohn Schmitt's Actors and Onlookers: Theater and Twentieth-Century Scientific Views of Nature (Northwestern UP, 1990) is an analysis of contemporary theatre based on Cage's aesthetics, and essays of hers on Cage have appeared in other journals and in anthologies devoted to the artist. She has previously written in NTQ on Stanislavski (NTQ 8) and on performance theory in its historic moment (NTQ 23). Schmitt is Professor of Performing Arts and Professor of English the University of Illinois at Chicago. This essay was originally published in a slightly different form in Japanese in a Cage commemorative issue of the Japanese journal Music Today .
    Type of Medium: Online Resource
    ISSN: 0266-464X , 1474-0613
    URL: Article
    DOI: 10.1017/S0266464X00008903
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 1995
    detail.hit.zdb_id: 2030067-0
    SSG: 9,3
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  • 8
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    Online Resource
    Memorialisation, Commemoration and Commodification: Massenet and Caricature
    Cambridge University Press (CUP) ; 2013
    In:  Cambridge Opera Journal Vol. 25, No. 2 ( 2013-07), p. 139-163
    Details
    In: Cambridge Opera Journal, Cambridge University Press (CUP), Vol. 25, No. 2 ( 2013-07), p. 139-163
    Abstract: This article addresses the physical presence of Jules Massenet in the media during the Third Republic in France through the lens of the caricatural press and the cartoon parodies of his operas which appeared in journals such as Le Journal amusant and Le Charivari . Although individual works were rarely outright successes in critical terms during his lifetime, Massenet's operas always stimulated debate and Massenet, as a figure head for a national art, was revered by both the state and its people. Drawing on theories of parody and readership, I argue that despite the ‘ephemeral’ nature of these musical artefacts, they acted as agents of commemoration of the composer and of memorialisation and commodification of his works for both operagoers and those who rarely entered the opera theatre.
    Type of Medium: Online Resource
    ISSN: 0954-5867 , 1474-0621
    URL: Article
    DOI: 10.1017/S0954586713000049
    RVK:
    LD 8700
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2013
    detail.hit.zdb_id: 2053867-4
    SSG: 9,3
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  • 9
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    Online Resource
    The Politics of the Paradigm: a Case Study in Chaos Theory
    Cambridge University Press (CUP) ; 1993
    In:  New Theatre Quarterly Vol. 9, No. 35 ( 1993-08), p. 255-266
    Details
    In: New Theatre Quarterly, Cambridge University Press (CUP), Vol. 9, No. 35 ( 1993-08), p. 255-266
    Abstract: This article continues NTQ's explorations, commenced in NTQ18 (1989) and NTQ23 (1990), of the interactions between theatrical performance and emerging views of nature coming out of the ‘new sciences’. Here, Michael Vanden Heuvel argues that analogies between quantum science and performance are productive mainly in reference to work which investigates the nature of perception, and which foregrounds the spectator's awareness of the ‘event-ness’ of theatrical performance. Models drawn from the new science of ‘chaotics’, on the other hand, appear more applicable to performances which seek to move beyond phenomenology into the sphere of cultural discourse. He offers as an example of this ‘post-quantum’ theatre the work of the renowned New York collective the Wooster Group, whose performances create a dialogics between order and disorder which acts to map dynamic interactions between hegemony and difference in American culture. Michael Vanden Heuvel is Assistant Professor of English and Interdisciplinary Humanities at Arizona State University. His Performing Drama/Dramatizing Performance: Alternative Theatre and the Dramatic Text was published by the University of Michigan Press in 1991, and he has written articles and reviews for Theatre Journal and Contemporary Literature .
    Type of Medium: Online Resource
    ISSN: 0266-464X , 1474-0613
    URL: Article
    DOI: 10.1017/S0266464X00007983
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 1993
    detail.hit.zdb_id: 2030067-0
    SSG: 9,3
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  • 10
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    Online Resource
    The Power of Double Vision: Tradition and Social Intervention in African Puppet Performance
    Cambridge University Press (CUP) ; 2006
    In:  New Theatre Quarterly Vol. 22, No. 4 ( 2006-11), p. 324-335
    Details
    In: New Theatre Quarterly, Cambridge University Press (CUP), Vol. 22, No. 4 ( 2006-11), p. 324-335
    Abstract: The appeal of the puppet lies partly in its dual nature: it is at once a representative object without life while at the same time it enacts the imagined life with which it is endowed by the puppeteer. Marie Kruger argues that this duality makes puppetry a uniquely effective way of questioning the very traditional values it appears to embody, and so of stimulating a sense of the need for social change. She relates her argument to the long tradition of puppetry among the Bamana people of Mali, and specifically to the performance of the Bin Sogo bo , an animal masquerade in which the ‘characters’ adumbrate human qualities with effective ambiguity. Marie Kruger is Chair of the Department of Drama at the University of Stellenbosch, South Africa, where puppetry is offered as a performance option. She is the author of Puppetry: a Guide for Beginners and has also published in the South Africa Theatre Journal . Over the past twenty years she has directed numerous puppet productions for all ages, and is currently leading a research project to document the nature and application of African puppet traditions.
    Type of Medium: Online Resource
    ISSN: 0266-464X , 1474-0613
    URL: Article
    DOI: 10.1017/S0266464X06000510
    RVK:
    AP 60100
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2006
    detail.hit.zdb_id: 2030067-0
    SSG: 9,3
    SSG: 7,25
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