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  • 1
    Online Resource
    Online Resource
    Consortium Erudit ; 2009
    In:  International Journal of Canadian Studies , No. 39-40 ( 2009), p. 161-
    In: International Journal of Canadian Studies, Consortium Erudit, , No. 39-40 ( 2009), p. 161-
    Type of Medium: Online Resource
    ISSN: 1180-3991 , 1923-5291
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2009
    detail.hit.zdb_id: 2574856-7
    SSG: 7,26
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  • 2
    Online Resource
    Online Resource
    Consortium Erudit ; 1957
    In:  Journal des traducteurs Vol. 2, No. 3 ( 1957), p. 85-
    In: Journal des traducteurs, Consortium Erudit, Vol. 2, No. 3 ( 1957), p. 85-
    Type of Medium: Online Resource
    ISSN: 0316-3024 , 2562-2994
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 1957
    detail.hit.zdb_id: 3093748-6
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  • 3
    Online Resource
    Online Resource
    Consortium Erudit ; 2012
    In:  Mémoires du livre Vol. 4, No. 1 ( 2012-12-17)
    In: Mémoires du livre, Consortium Erudit, Vol. 4, No. 1 ( 2012-12-17)
    Abstract: This article examines the circumstances and motives that led to the founding of the poetry journal Estuaire in Quebec City in 1976. We focus particularly on the years 1976-1980, when Jean Royer was in charge of the journal. We also study the main shifts in discourse and in the sequence of editorial committees during that period. Estuaire appeared to be a collective which, while demonstrating a spirit of openness, did not put forward a definitive aesthetic, and therefore occupied a relatively restricted space in the field of Québécois poetry. Furthermore, this article shows that the eclectic nature of Estuaire no doubt contributed to its endurance, as opposed to the lifespan of more avant-garde journals.
    Type of Medium: Online Resource
    ISSN: 1920-602X
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2012
    detail.hit.zdb_id: 2599274-0
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  • 4
    Online Resource
    Online Resource
    Consortium Erudit ; 2006
    In:  Voix et Images Vol. 22, No. 1 ( 2006-08-29), p. 80-94
    In: Voix et Images, Consortium Erudit, Vol. 22, No. 1 ( 2006-08-29), p. 80-94
    Abstract: Abstract Since its publication in 1884, Angéline de Montbrun has given rise to numerous interpretations of various types : moralizing, psychoanalytic, formalist, and feminist. One aspect of this novel which has thus far received scant critical attention is its literariness. Nevertheless, this text is based as much, if not more, on literary intertextuality than on an extratextual reality. Indeed, Angéline de Montbrun contains numerous citations, some of which are identified, but most of which remain implicit. Above all, the novel displays a privileged and constant relationship with its genotext, Eugénie de Guérin's Journal. In this article, I propose a reading of Angéline de Montbrun that highlights its nature as a palimpsest and that clarifies Laure Conan's intertextual practice, both in terms of the novel's relations with a number of different texts, and especially with the Journal of Conan's illustrious precursor.
    Type of Medium: Online Resource
    ISSN: 1705-933X , 0318-9201
    RVK:
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2006
    detail.hit.zdb_id: 2135702-X
    SSG: 7,30
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  • 5
    Online Resource
    Online Resource
    Consortium Erudit ; 2010
    In:  Études françaises Vol. 45, No. 3 ( 2010-01-12), p. 129-150
    In: Études françaises, Consortium Erudit, Vol. 45, No. 3 ( 2010-01-12), p. 129-150
    Abstract: It was during the unfortunate circumstance of his mother’s terminal illness that Roland Barthes sought to write as a “diarist,” in Urt in 1977 . This brief attempt at keeping a daily journal quickly became an important practice of reflection: “Je n’ai jamais tenu de journal — ou plutôt je n’ai jamais su si je devais en tenir un.” (“I had never kept a diary — or rather, I never realized that I should …”), he observed in 1979 , at the beginning of his paper aptly entitled “Délibération,” published in the literary journal Tel Quel . Questions come to mind about the practice of the diarist: what justifies these elliptical repetitions, what of its literary value, and its “publishability.” With few arguments justifying the practice, the debate points to a problematic kind of literature. This paper identifies the contingencies of daily personal writing in order to highlight its importance as key in understanding the last work of Barthes. Digressive, multi-faceted and experimental, the writing style of the Diary fits the flitting nature of this observer of daily life. It offers the advantages of a cumulative notatio , ideally free of any narcissism that would be incompatible with authentic subjectivity.
    Type of Medium: Online Resource
    ISSN: 1492-1405 , 0014-2085
    RVK:
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2010
    detail.hit.zdb_id: 2140574-8
    SSG: 7,30
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  • 6
    Online Resource
    Online Resource
    Consortium Erudit ; 2008
    In:  Études littéraires Vol. 39, No. 2 ( 2008-11-05), p. 31-45
    In: Études littéraires, Consortium Erudit, Vol. 39, No. 2 ( 2008-11-05), p. 31-45
    Abstract: Emile Pouget’s anarchist writings show as a caricature the poor chasing the rich. This new power structure draws a strange picture of hunting in which the beast pursues the hunter. The present article aims to understand this allegory to describe the nature and the particular ways of invective speech. The study will explore texts with the Père Peinard, a character invented by Pouget : the journal and almanacs of the Père Peinard. To circumscribe the fictional invective’s power and to show its fundamental intersection — between fiction and reality —, this article will work with a new concept, the invective enunciation, by opposition to the performative enunciation, which intends to understand particularities of invective in fictional context.
    Type of Medium: Online Resource
    ISSN: 1708-9069 , 0014-214X
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2008
    detail.hit.zdb_id: 216550-8
    detail.hit.zdb_id: 2146409-1
    SSG: 7,12
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  • 7
    Online Resource
    Online Resource
    Consortium Erudit ; 2010
    In:  Études d’histoire religieuse Vol. 76 ( 2010-10-20), p. 111-128
    In: Études d’histoire religieuse, Consortium Erudit, Vol. 76 ( 2010-10-20), p. 111-128
    Abstract: This article raises the question of the relations between Catholicism and psychoanalysis by proposing to explore the contribution of André Lussier to the journal Cité libre . In a few striking essays published at the turn of the 1960s, this former student of Anna Freud and pioneer of psychoanalysis in Montreal observes the malaise afflicting Quebec Catholicism. The severe diagnosis he makes concerning Catholic culture highlights two significant pathologies: a neurotic clergy-layperson relationship in the form of a parent-child dynamic, and an unbalanced economy of gender relations. The radical nature of their content makes the writings of André Lussier harbingers of the disintegration, in Quebec cultural ideology, of the Catholic reformist movement.
    Type of Medium: Online Resource
    ISSN: 1920-6267 , 1193-199X
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2010
    detail.hit.zdb_id: 2569001-2
    SSG: 1
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  • 8
    Online Resource
    Online Resource
    Consortium Erudit ; 2019
    In:  Études françaises Vol. 55, No. 1 ( 2019-05-02), p. 17-31
    In: Études françaises, Consortium Erudit, Vol. 55, No. 1 ( 2019-05-02), p. 17-31
    Abstract: Georges Hérelle (1848-1935) was well known, during his lifetime, for his excellent French translations of the work of the Italian author Gabriele D’Annunzio and for his research on Basque popular theatre. In our recent study, Georges Hérelle: archéologue de l’inversion sexuelle «fin de siècle» (Paris, Éditions du Félin, 2014), we’ve concentrated on the important role he played as a historian and particularly as an archivist of homosexuality, drawing from his private journal, his voyage log, his photograph albums and his unpublished manuscripts. Describing himself as “timid and a bit wild,” Hérelle admits in his journal his “fear of being indiscreet.” He decided while still very young to lead a double life. In the context of his long career as a professor of Philosophy, he maintained the public image of a conventional, modest man. It was a question of survival, according to Hérelle, because he was surrounded by a hostile and intolerant society. However, in his private life, he discretely kept company with a small group of homosexual friends. In this article, we focus on a new object of study: the letters that Hérelle wrote in the 1860s and 1870s to Paul Bourget and other close friends. Hérelle and his friends discuss the details of their daily lives, but also their romantic adventures, intimate thoughts and literary ambitions. These young people were searching for a language that would allow them to describe precisely the nature of their romantic feelings. Our analysis reveals a singularly rich image of homosexual life at a precise historical moment – the first years of the Third Republic – for which there exist very few autobiographical accounts by homosexuals.
    Type of Medium: Online Resource
    ISSN: 1492-1405 , 0014-2085
    RVK:
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2019
    detail.hit.zdb_id: 2140574-8
    SSG: 7,30
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  • 9
    Online Resource
    Online Resource
    Consortium Erudit ; 2020
    In:  RACAR : Revue d'art canadienne Vol. 35, No. 1 ( 2020-01-20), p. 11-21
    In: RACAR : Revue d'art canadienne, Consortium Erudit, Vol. 35, No. 1 ( 2020-01-20), p. 11-21
    Abstract: The Esthétique environnementale network emerged in France in 2007, produced by the intersection and complementarity of certain evolving thematic matrices: the mobilization of the public, nature and the urban landscape, and artistic creation. This network has grown since 2004 out of the original research centres of its developers, the UMR LADYSS (Nathalie Blanc) and the UMR PACTE (Jacques Lolive). Through their joint action, an issue of the journal Cosmopolitiques , “Aimons la ville,” was produced (Éditions de l’Aube, 2004), three research seminars were presented (2006) with a joint publication as a result, and a research project was conducted through the MEDD program, “Paysage et développement durable.” Finally, an international conference entitled Environnement, engagement esthétique et espace public was held in Paris in 2007. More than a hundred internationally known participants were gathered at the conference, allowing the formation of a network of researchers interested in this multi-faceted thematic (ambiences, landscapes, environmental aesthetics, ethics, ecological art, etc.). A publication followed the conference (2010). While acknowledging that the field of environmental aesthetics is still young, this article includes a report of the conference and its principal contributions.
    Type of Medium: Online Resource
    ISSN: 1918-4778 , 0315-9906
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2020
    detail.hit.zdb_id: 2594728-X
    SSG: 9,10
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  • 10
    Online Resource
    Online Resource
    Consortium Erudit ; 2008
    In:  Philosophiques Vol. 35, No. 1 ( 2008-06-25), p. 57-70
    In: Philosophiques, Consortium Erudit, Vol. 35, No. 1 ( 2008-06-25), p. 57-70
    Abstract: This article discusses irony as an aesthetic, therefore affective, value, as exemplified in Stendhal’s irony. Affective phenomena vary in nature and intensity, and one same emotion can be coloured differently (adjectives indicate its nuances, as, for example, in “sweet nostalgia” or “desperate nostalgia” etc.). Irony involves a very complex gamut of aspects and degrees: it can be satiric, comic, tragic, nihilistic, paradoxical etc. I first consider what kinds of irony Stendhal avoided. He discarded both the tragic satire of Chateaubriand and Romantic nihilistic irony. Then I look at Stendhal’s theory of laughter, as hinted at in several of his writings where he reflects upon various forms of comedy while developing his own ideal of comedy as it will appear in his major novels (see Journal littéraire, Histoire de la peinture en Italie, Racine et Shakespeare , and Correspondance ). Dissatisfied with Hobbes’ definition of laughter as involving a feeling of superiority, he considered two conditions for the comic effect: clarity and suddenness. Both become fundamental in his literary style. At the same time Stendhal was convinced of the affective superiority of the moderns over the Ancients: only the moderns, forged by Christian sensitivity, experienced tender emotions. Tenderness should color everything: the novel should aim at the ideal of opera-bouffe , where comedy is “a mixture of gaiety and tenderness,” while the writer masks his tenderness by using a “sweet” ( douce ) irony towards his favourite characters.
    Type of Medium: Online Resource
    ISSN: 1492-1391 , 0316-2923
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2008
    detail.hit.zdb_id: 2130274-1
    SSG: 5,1
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