In:
New Theatre Quarterly, Cambridge University Press (CUP), Vol. 29, No. 4 ( 2013-11), p. 360-369
Abstract:
In his essays and speeches, Harold Pinter addressed issues that are central in political and philosophical debates: national identity and the other, the ethics of responsibility, the relational nature of human rights, the politics of death. Discussing his treatment of these issues, Maria Germanou sees Pinter as a Foucauldian intellectual engaged in the politics of truth, and argues that in these texts the postmodern writer enables the political activist. Pinter subjects to scrutiny naturalized political rhetoric, discloses the affinity between meaning and power, and challenges the legitimacy of established hierarchies and their practices. His ultimate purpose is to restore ethics to politics. To this end, he places responsibility for the other at the core of his problematic in ways similar to Emmanuel Levinas, and invites western democracies to redefine ‘humanity’ and the ‘international’ community by taking into consideration accountability for those allowed to die in the name of an alleged justice. Maria Germanou is Professor in English Drama at the University of Athens. She has published in Modern Drama, Comparative Drama, Arbeiten aus Anglistik und Amerikanistik, Gramma , and elsewhere. Since 2008 she has been co-editor of Synthesis , an e-journal of comparative literature.
Type of Medium:
Online Resource
ISSN:
0266-464X
,
1474-0613
DOI:
10.1017/S0266464X13000687
Language:
English
Publisher:
Cambridge University Press (CUP)
Publication Date:
2013
detail.hit.zdb_id:
2030067-0
SSG:
9,3
SSG:
7,25
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