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  • 1
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    Schlagwort(e): Music Social aspects 20th century ; History ; Music trade ; Popular music History and criticism ; Popular music History and criticism ; Identity (Psychology) and mass media ; Popular music-Florida-Miami-History and criticism ; Popular music-Colombia-History and criticism ; Music trade-Florida-Miami ; Music-Social aspects-United States-History-20th century ; Music trade - Florida - Miami ; Electronic books
    Beschreibung / Inhaltsverzeichnis: Long associated with the pejorative clichés of the drug-trafficking trade and political violence, contemporary Colombia has been unfairly stigmatized. In this pioneering study of the Miami music industry and Miami's growing Colombian community, María Elena Cepeda boldly asserts that popular music provides an alternative common space for imagining and enacting Colombian identity. Using an interdisciplinary analysis of popular media, music, and music video, Cepeda teases out issues of gender, sexuality, race, ethnicity, and transnational identity in the Latino/a music industry and among its most
    Materialart: Online-Ressource
    Seiten: Online-Ressource (xii, 255 p) , ill
    Ausgabe: Online-Ausg. 2010 Electronic reproduction; Available via World Wide Web
    ISBN: 081471692X , 0814716911 , 9780814716922 , 9780814716915
    DDC: 781.64089
    Sprache: Englisch
    Anmerkung: Includes bibliographical references and index , Contents; Acknowledgments; Introduction: Colombian Connections: Tracing the Boundaries of the Colombian Musical ImagiNation; 1 La crisis colombiana: Contextualizing the Political Moment; 2 A Miami Sound Machine: Deconstructing the Latin(o) Music Boom of the Late 1990s; 3 Shakira as the Idealized Transnational Citizen: Media Perspectives on Colombianidad in Transition; 4 Florecita rockera: Gender and Representation in Latin(o) American Rock and Mainstream Media; 5 The Colombian Vallenato acá y allá: Allegory for a Musical ImagiNation , 6 The Colombian Transcultural Aesthetic Recipe: Music Video in the "New" American StudiesAfterword: U.S.-Colombian Popular Music and Identity: Acknowledging the Transnational in the National; Notes; References; Discography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z; About the Author , Electronic reproduction; Available via World Wide Web
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