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  • 1
    In: Neurocase, Informa UK Limited
    Type of Medium: Online Resource
    ISSN: 1355-4794 , 1465-3656
    Language: English
    Publisher: Informa UK Limited
    Publication Date: 2024
    detail.hit.zdb_id: 1497469-1
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  • 2
    Online Resource
    Online Resource
    SAGE Publications ; 2014
    In:  Psychology of Music Vol. 42, No. 4 ( 2014-07), p. 503-524
    In: Psychology of Music, SAGE Publications, Vol. 42, No. 4 ( 2014-07), p. 503-524
    Abstract: In this investigation, eight highly-trained musicians communicated emotions through composition, performance expression, or the combination of the two. In the performance condition, they performed melodies with the intention of expressing six target emotions: anger, fear, happiness, neutral, sadness, and tenderness. In the composition condition, they composed melodies to express the same six emotions. The notated compositions were then played digitally without performance expression. In the combined condition, musicians performed the melodies they composed to convey the target emotions. Forty-two listeners heard the stimuli and attempted to decode the emotions in a forced-choice paradigm. Decoding accuracy varied significantly as a function of the channel of communication. Fear was comparatively well-decoded in the composition condition whereas anger was comparatively well decoded in the performance condition. Happiness and sadness were comparatively well-decoded in all three channels of communication. A principal component analysis of cues used by musicians clarified the distinct approaches adopted in composition and performance to differentiate emotional intentions. The results confirm that composition and performance involve the manipulation of distinct cues and have different emotional capabilities.
    Type of Medium: Online Resource
    ISSN: 0305-7356 , 1741-3087
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2014
    detail.hit.zdb_id: 2110840-7
    SSG: 5,2
    SSG: 9,2
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  • 3
    Online Resource
    Online Resource
    SAGE Publications ; 2022
    In:  Psychology of Music Vol. 50, No. 4 ( 2022-07), p. 1296-1311
    In: Psychology of Music, SAGE Publications, Vol. 50, No. 4 ( 2022-07), p. 1296-1311
    Abstract: Fans of extreme metal and rap music with violent themes, hereafter termed “violently themed music,” predominantly experience positive emotional and psychosocial outcomes in response to this music. However, negative emotional responses to preferred music are reported to a greater extent by such fans than by fans of non-violently themed music. We investigated negative emotional responses to violently themed music among fans by assessing their experience of depressive symptoms, and whether violently themed music functions to regulate negative moods through two common mood regulation strategies: discharge and diversion. Fans of violent rap ( n = 49), violent extreme metal ( n = 46), and non-violent classical music ( n = 50) reported depressive symptoms and use of music to regulate moods. Participants listened to four one-minute excerpts of music in their preferred genres and rated negative emotional responses to each excerpt (sadness, tension, anger, fear). There were no significant differences between ratings of depression between groups, but depressive symptoms predicted negative emotional responses to music across all groups. Furthermore, depression ratings predicted the use of the mood regulation strategy of discharge in all groups. The discharge strategy did not reduce (or exacerbate) fans’ negative emotional responses, but may nevertheless confer other benefits. We discuss implications for the psychosocial well-being of fans of violently themed music.
    Type of Medium: Online Resource
    ISSN: 0305-7356 , 1741-3087
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2022
    detail.hit.zdb_id: 2110840-7
    SSG: 5,2
    SSG: 9,2
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  • 4
    Online Resource
    Online Resource
    University of California Press ; 2016
    In:  Music Perception Vol. 33, No. 4 ( 2016-04-01), p. 401-413
    In: Music Perception, University of California Press, Vol. 33, No. 4 ( 2016-04-01), p. 401-413
    Abstract: We examined explicit processing of musical syntax and tonality in a group of Han Chinese Mandarin speakers with congenital amusia, and the extent to which pitch discrimination impairments were associated with syntax and tonality processing. In Experiment 1, we assessed whether congenital amusia is associated with impaired explicit processing of musical syntax. Congruity ratings were examined for syntactically regular or irregular endings in harmonic and melodic contexts. Unlike controls, amusic participants failed to explicitly distinguish regular from irregular endings in both contexts. Surprisingly, however, a concurrent manipulation of pitch distance did not affect the processing of musical syntax for amusics, and their impaired music-syntactic processing was uncorrelated with their pitch discrimination thresholds. In Experiment 2, we assessed tonality perception using a probe-tone paradigm. Recovery of the tonal hierarchy was less evident for the amusic group than for the control group, and this reduced sensitivity to tonality in amusia was also unrelated to poor pitch discrimination. These findings support the view that music structure is processed by cognitive and neural resources that operate independently of pitch discrimination, and that these resources are impaired in explicit judgments for individuals with congenital amusia.
    Type of Medium: Online Resource
    ISSN: 0730-7829 , 1533-8312
    Language: English
    Publisher: University of California Press
    Publication Date: 2016
    detail.hit.zdb_id: 2045576-8
    SSG: 9,2
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  • 5
    Online Resource
    Online Resource
    University of California Press ; 2018
    In:  Music Perception Vol. 35, No. 5 ( 2018-06-01), p. 527-539
    In: Music Perception, University of California Press, Vol. 35, No. 5 ( 2018-06-01), p. 527-539
    Abstract: Death Metal music with violent themes is characterized by vocalizations with unnaturally low fundamental frequencies and high levels of distortion and roughness. These attributes decrease the signal to noise ratio, rendering linguistic content difficult to understand and leaving the impression of growling, screaming, or other non-linguistic vocalizations associated with aggression and fear. Here, we compared the ability of fans and non-fans of Death Metal to accurately perceive sung words extracted from Death Metal music. We also examined whether music training confers an additional benefit to intelligibility. In a 2 × 2 between-subjects factorial design (fans/non-fans, musicians/nonmusicians), four groups of participants (n = 16 per group) were presented with 24 sung words (one per trial), extracted from the popular American Death Metal band Cannibal Corpse. On each trial, participants completed a four-alternative forced-choice word recognition task. Intelligibility (word recognition accuracy) was above chance for all groups and was significantly enhanced for fans (65.88%) relative to non-fans (51.04%). In the fan group, intelligibility between musicians and nonmusicians was statistically similar. In the non-fan group, intelligibility was significantly greater for musicians relative to nonmusicians. Results are discussed in the context of perceptual learning and the benefits of expertise for decoding linguistic information in sub-optimum acoustic conditions.
    Type of Medium: Online Resource
    ISSN: 0730-7829 , 1533-8312
    Language: English
    Publisher: University of California Press
    Publication Date: 2018
    detail.hit.zdb_id: 2045576-8
    SSG: 9,2
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  • 6
    Online Resource
    Online Resource
    University of California Press ; 1999
    In:  Music Perception Vol. 17, No. 2 ( 1999-12-01), p. 261-266
    In: Music Perception, University of California Press, Vol. 17, No. 2 ( 1999-12-01), p. 261-266
    Type of Medium: Online Resource
    ISSN: 0730-7829
    Language: English
    Publisher: University of California Press
    Publication Date: 1999
    detail.hit.zdb_id: 2045576-8
    SSG: 9,2
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  • 7
    Online Resource
    Online Resource
    SAGE Publications ; 1992
    In:  Empirical Studies of the Arts Vol. 10, No. 1 ( 1992-01), p. 79-89
    In: Empirical Studies of the Arts, SAGE Publications, Vol. 10, No. 1 ( 1992-01), p. 79-89
    Abstract: This study investigated the possibility that musical composers can reliably convey distinct and definable emotional qualities through pitch, temporal and loudness information contained in a musical score. Five musical composers were provided with a list of six terms relating to emotional states. The terms were: joy, sorrow, excitement, dullness, anger and peace. Each composer was asked to compose short melodies embodying the emotional qualities described by the six terms. Fourteen listeners were played the melodies, and were asked to provide judgments relating to their emotional quality. Melodies were judged to embody the emotional quality intended to be conveyed. Unintended emotional qualities were judged to be present in melodies in varying degrees. The notion that emotional qualities can be effectively conveyed through music is discussed.
    Type of Medium: Online Resource
    ISSN: 0276-2374 , 1541-4493
    Language: English
    Publisher: SAGE Publications
    Publication Date: 1992
    detail.hit.zdb_id: 2065718-3
    SSG: 9,10
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  • 8
    Online Resource
    Online Resource
    Springer Science and Business Media LLC ; 1993
    In:  Perception & Psychophysics Vol. 53, No. 1 ( 1993-1), p. 13-24
    In: Perception & Psychophysics, Springer Science and Business Media LLC, Vol. 53, No. 1 ( 1993-1), p. 13-24
    Type of Medium: Online Resource
    ISSN: 0031-5117 , 1532-5962
    Language: English
    Publisher: Springer Science and Business Media LLC
    Publication Date: 1993
    detail.hit.zdb_id: 2480891-X
    detail.hit.zdb_id: 2045204-4
    SSG: 5,2
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  • 9
    Online Resource
    Online Resource
    Springer Science and Business Media LLC ; 1997
    In:  Perception & Psychophysics Vol. 59, No. 7 ( 1997-1), p. 1069-1076
    In: Perception & Psychophysics, Springer Science and Business Media LLC, Vol. 59, No. 7 ( 1997-1), p. 1069-1076
    Type of Medium: Online Resource
    ISSN: 0031-5117 , 1532-5962
    Language: English
    Publisher: Springer Science and Business Media LLC
    Publication Date: 1997
    detail.hit.zdb_id: 2480891-X
    detail.hit.zdb_id: 2045204-4
    SSG: 5,2
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  • 10
    Online Resource
    Online Resource
    IOS Press ; 2018
    In:  Journal of Alzheimer's Disease Vol. 61, No. 3 ( 2018-01-09), p. 827-841
    In: Journal of Alzheimer's Disease, IOS Press, Vol. 61, No. 3 ( 2018-01-09), p. 827-841
    Type of Medium: Online Resource
    ISSN: 1387-2877 , 1875-8908
    Language: Unknown
    Publisher: IOS Press
    Publication Date: 2018
    detail.hit.zdb_id: 2070772-1
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