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  • 1
    Online Resource
    Online Resource
    SAGE Publications ; 2022
    In:  Big Data & Society Vol. 9, No. 1 ( 2022-01), p. 205395172210998-
    In: Big Data & Society, SAGE Publications, Vol. 9, No. 1 ( 2022-01), p. 205395172210998-
    Abstract: In this paper, we explore the methodologies underpinning two participatory research collaborations with Australian non-profit organisations that aimed to build data capability and social benefit in data use. We suggest that studying and intervening in data practices in situ, that is, in organisational data settings expands opportunities for improving the social value of data. These situated and collaborative approaches not only address the ‘expertise lag’ for non-profits but also help to realign the potential social value of organisational data use. We explore the relationship between data literacy, data expertise and data capability to test the idea that collaborative work with non-profit organisations can be a practical step towards addressing data equity and generating data-driven social outcomes. Rather than adopting approaches to data literacy that focus on individuals – or ideal ‘data citizens’ – we target the organisation-wide data settings, goals and practices of the non-profit sector. We conclude that participatory methods can embed social value-generating data capability where it can be sustained at an organisational level, aligning with community needs to promote collaborative data action.
    Type of Medium: Online Resource
    ISSN: 2053-9517 , 2053-9517
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2022
    detail.hit.zdb_id: 2773948-X
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  • 2
    Online Resource
    Online Resource
    Swinburne University of Technology ; 2016
    In:  Australian Journal of Telecommunications and the Digital Economy Vol. 4, No. 1 ( 2016-03-31), p. 65-
    In: Australian Journal of Telecommunications and the Digital Economy, Swinburne University of Technology, Vol. 4, No. 1 ( 2016-03-31), p. 65-
    Abstract: Cryptocurrencies such as Bitcoin are a recent socio-technical innovation that seeks to disrupt the existing monetary system. Through mundane uses of this new digital cash, they provide a social critique of the centralized infrastructures of the banking industry. This paper outlines an ethnographic research agenda for this new digital frontier of social practice and exchange and the human affordances of engaging with cryptocurrencies such as Bitcoin. Firstly we argue that the use of Bitcoin can be seen as acts of social resistance and a form of social mobility that harnesses the emergent, serendipitous and dynamic properties of digital community. We then outline the disruptive nature of borderless, affordable and instantaneous international transfers within social practice. Finally, we identify the possible permutations of trust that may be found in the technical affordances of Bitcoin and how these relate to user (pseudo)anonymity, cybertheft, cyberfraud, and consumer protection. Bringing together these three key areas we highlight the importance of understanding the ordinary (rather than extra-ordinary) uses of cryptocurrencies such as Bitcoin. We contend that focusing upon users interactions with Bitcoin as a system and culture will shed light upon mundane acts of socio-technical disruption, acts that critique and provide alternative financial exchange practices to the economic and regulatory financial infrastructures of the centralised banking industry.
    Type of Medium: Online Resource
    ISSN: 2203-1693
    Language: Unknown
    Publisher: Swinburne University of Technology
    Publication Date: 2016
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  • 3
    Online Resource
    Online Resource
    University of Illinois Libraries ; 2020
    In:  AoIR Selected Papers of Internet Research ( 2020-10-05)
    In: AoIR Selected Papers of Internet Research, University of Illinois Libraries, ( 2020-10-05)
    Abstract: Practices of self-care and social support have long been identified across social media platforms and apps, as people find new ways of using and adapting digital technologies to mediate and address personal and public health issues. But digital health participation is considerably contested and unevenly experienced, whether through the commodified ‘platformization’ of the health sector, or in the potentially ‘unhealthy’ engagement with dominant social media platforms or dating and hookup apps. Contemporary policy frameworks for participatory, digital-enabled healthcare (e.g., NHS, 2019) assume that we all engage in health or help seeking practices online, but have no answers to associated risks of over-exposure, invasive health surveillance or experiences of discrimination and harassment online, particularly for those at the margins. In our case studies, this is pertinent for transgender, non-binary and female hookup app users, people seeking support for mental ill-health, illicit drug users participating in crypto-markets and dark web communities. In response to this scenario, this panel asks: what are the forms and capacities for collective care in the current digital ecosystem, between social media platforms and dating apps struggling to address harassment or mental wellbeing, within health service-supported online forums, and across the dark web? This panel looks at evidence and answers, as well as research practices and ethics, to understand personal and collective attempts to negotiate, manage, circumvent and otherwise find ways to reinvent cultures of care through digital platforms.
    Type of Medium: Online Resource
    ISSN: 2162-3317 , 2162-3317
    Language: Unknown
    Publisher: University of Illinois Libraries
    Publication Date: 2020
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  • 4
    Online Resource
    Online Resource
    SAGE Publications ; 2023
    In:  Sociological Research Online Vol. 28, No. 1 ( 2023-03), p. 150-170
    In: Sociological Research Online, SAGE Publications, Vol. 28, No. 1 ( 2023-03), p. 150-170
    Abstract: This article discusses sociotechnical challenges of technology-based interventions to address loneliness in later life. We bring together participatory and multidisciplinary research conducted in Canada and Australia to explore the limits of digital technologies to help tackle loneliness among frail older people (aged 65+). Drawing on three case studies, we focus on instances when technology-based interventions, such as communication apps, were limiting or failed, seeming to enhance rather than lessen loneliness. We also unpack instances where the technologies being considered did not match participants’ social needs and expectations, preventing adoption, use, and the intended outcomes. To better grasp the negative unintended consequences of these technological interventions, we combine a relational sociological approach to loneliness with the Strong Structuration Theory developed by sociologist Rob Stones. This combined lens highlights the connection between sociotechnical factors and their agentic and structural contexts, facilitating a rich understanding of why and when technologies fail and limit.
    Type of Medium: Online Resource
    ISSN: 1360-7804 , 1360-7804
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2023
    detail.hit.zdb_id: 2024343-1
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  • 5
    Online Resource
    Online Resource
    Queen's University Library ; 2024
    In:  Surveillance & Society Vol. 22, No. 2 ( 2024-06-16), p. 73-87
    In: Surveillance & Society, Queen's University Library, Vol. 22, No. 2 ( 2024-06-16), p. 73-87
    Abstract: This paper maps the emergence and consequences of automated Algorithmic Performance Management (APM) in the context of higher education. After reviewing the evolution of productivity management in academia, it argues that surveillance via APM shifts expectations not just about effectiveness at work but also about how work, and the good worker, come to be defined. In our paradigmatic case study of Office 365, we specify how the automated surveillance of workforce practices are deployed to redefine productivity in higher education: productive workers become good data subjects as well as producers of papers, grants, and other traditional outputs of success. Our analysis suggests performing well at work is managed in and by the platform via logics of the surveillance of wellness, time-regulation, and social connectivity to influence, manage, and control workers. We critique these automated performance measures in terms of platform capitalism, noting Office 365’s Viva Insights function as a telematic device of surveillance. The final section of the paper places these trends in Australia’s socio-legal context by showing how Viva is insufficient for considering performance given the range of practices that constitute “academic work,” including but not limited to the need for unmonitored activity. Yet, we observe that currently little can be done about Office 365’s surveillant presence given a regulatory regime that by and large excludes productivity surveillance from the scope of regulated surveillance activities.
    Type of Medium: Online Resource
    ISSN: 1477-7487
    Language: English
    Publisher: Queen's University Library
    Publication Date: 2024
    detail.hit.zdb_id: 2106756-9
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  • 6
    Online Resource
    Online Resource
    Queensland University of Technology ; 2021
    In:  M/C Journal Vol. 24, No. 2 ( 2021-04-27)
    In: M/C Journal, Queensland University of Technology, Vol. 24, No. 2 ( 2021-04-27)
    Abstract: This issue of M/C Journal rejects the association of darkness with immorality. In digital communication, the possibilities of darkness are greater than simple fears of what is hidden in online networks. Instead, new work in an emerging field of “dark social” studies’ consider “dark” as holding the potential for autonomy away from the digital visibilities that pervade economic, political, and surveillance logics of the present age. We shall not be afraid of the dark. We start from a technical rather than moral definition of darkness (Gehl), a definition that conceives of dark spaces as having legitimacies and anonymities against structural surveillance. At the same time, breaking away from techno-centric critiques of the dark allows a humanisation of how dark is embodied and performed at individual and structural levels. Other readings of digitally mediated dark (Fisher and Bolter) suggest tensions between exploitative potentials and deep societal reflection, and the ability for a new dark age (Bridle) to allow us to explore unknown potentials. Together these perspectives allow our authors a way to use dark to question and upend the unresting pressure and acceptance of—and hierarchy given to—the light in aesthetics of power and social transformation.  While we reject, however, the reduction of “dark” to “immoral” as we are not blind to “bad actors” lurking in hidden spaces (see Potter, forthcoming). Dark algorithms and their encoded biases shape our online lives. Not everyone has the ability to go off grid or create their own dark networks. Colonial settlerism often hides its brutal logics behind discourses of welfare. And some of us are forced to go dark against our will, as in the case of economies or nations being shut out of communication networks. But above all, the tensions produced in darkness, going dark, and acting dark show the normative powers beyond only focusing on the light.  Taken as a whole, the articles in this issue explore the tensions between dark and connected, opting in and opting out, and exposure and retreat. They challenge binaries that reduce our vision to the monochromaticism of dark and light. They explain how the concept of “dark” expands opportunities for existence and persistence beyond datafication. They point to moral, ethical, and pragmatic responses of selves and communities seeking to be/belong in/of the dark.  The issue starts with a high-stakes contest: what happens when an entire country is forced to go dark? While the articles in this issue were in review, Australian Facebook users were abruptly introduced to a unique form of darkness when, overnight, all news posts were removed from Facebook. Leaver’s feature article responds to tell the story of how Facebook and Google fought the Australian media law, and nobody won. Simply put, the platforms-cum-infrastructures did not want the government to mandate terms of their payments and business to traditional news organisations, so pulled the plug on Australia. As Leaver points out, Facebook’s cull not only made news media go dark, but in the midst of a pandemic and ongoing bushfires, prevented government agencies from posting and sharing government public health information, weather and wind patterns, and some State Emergency Services information.  His article positions darkness on the spectrum from visibility to invisibility and focuses on the complex interplays of who is in control of, or has the power over, visibility. Facebook’s power to darken vital voices in society was unprecedented in Australia, a form of “de-platforming at scale” (Crawford). It seemed that Facebook (and as Leaver explains, Goog le, to a lesser extent) were using Australia to test platform power and legislative response. The results of this experiment, Leaver argues, was not a dawn of a new dark age—without the misinforming-glare of Facebook (see Cinque in this issue)—but confirmatory evidence of the political economy of national media: News Corp and other large traditional media companies received millions from Facebook and Google in exchange for the latter being exempt from the very law in question. Everyone won, except the Australians looking to experiment and explore alternatives in a new darkness. Scared of the dark, politicians accepted a mutually agreed transfer of ad-revenue from Google and Facebook to large and incumbent media organisations; and with that, hope of exploring a world mediated without the glare of digital incumbents was snuffed out. These agreements, of course, found user privacy, algorithmic biases, and other concerns of computational light out of scope. Playing off the themes of status quo of institutionalised social media companies, Cinque examines how social online spaces (SOS) which are governed by logics of surveillance and datafication embodied in the concept of the “gazing elite” (data aggregators including social media), can prompt anxieties for users regarding data privacy. Her work in the issue particularly observes that anxiety for many users is shaped by this manifestation of the “dark” as it relates to the hidden processes of data capture and processing by the mainstream platforms, surveillant digital objects that are incorporated into the Internet of Things, and “dark” or black boxed automated decisions which censor expression and self-representation. Against this way of conceptualising digital darkness, Cinque argues that dark SOS which use VPNs or the Tor browser to evade monitoring are valuable to users precisely because of their ability to evade the politics of visibility and resist the power of the gazing elite. Continuing away from the ubiquitous and all consuming blue glow of Facebook to more esoteric online communities, Maddox and Heemsbergen use their article to expand a critique on the normative computational logics which define the current information age (based on datafication, tracking, prediction, and surveillance of human socialities). They consider how “digging in the shadows” and “tinkering” with cryptocurrencies in the “dark” is shaping alternative futures based on social, equitable, and reciprocal relations. Their work traces cryptocurrencies—a “community generated technology” made by makers, miners and traders on darknets—from its emergence during a time of global economic upheaval, uncertainty and mistrust in centralised financial systems, through to new generations of cryptocurrencies like Dogecoin that, based on lessons from early cryptocurrencies, are mutating and becoming absorbed into larger economic structures. These themes are explored using an innovative analytical framework considering the “construction, disruption, contention, redirection, and finally absorption of emerging techno-potentials into larger structures”. The authors conclude by arguing that experiments in the dark don’t stay in the dark, but are radical potentials that impact and shape larger social forms. Bradfield and Fredericks take a step back from a focus on potentially arcane online cultures to position dark in an explicit provocation to settler politics’ fears and anxieties. They show how being dark in Australia is embodied and everyday. In doing so, they draw back the veil on the uncontested normality of fear of the dark-as-object. Their article’s examples offer a stark demonstration of how for Indigenous peoples, associations of “dark” fear and danger are built into the structural mechanisms that shape and maintain colonial understandings of Indigenous peoples and their bodies as part of larger power structures. They note activist practices that provoke settlers to confront individuals, communities, and politics that proclaim “I’m not afraid of the Dark” (see Cotes in Bradfield and Fredericks). Drawing on a related embodied refusal of poorly situated connotations of the dark, Hardley considers the embodied ways mobile media have been deployed in the urban night and observes that in darkness, and the night, while vision is obscured and other senses are heightened we also encounter enmeshed cultural relationships of darkness and danger. Drawing on the postphenomenological concept of multistability, Hardley frames engagement with mobile media as a particular kind of body-technology relation in which the same technology can be used by different people in multiple ways, as people assign different meanings to the technology. Presenting empirical research on participants’ night-time mobile media practices, Hardley analyses how users co-opt mobile media functionalities to manage their embodied experiences of the dark. The article highlights how mobile media practices of privacy and isolation in urban spaces can be impacted by geographical location and urban darkness, and are also distinctly gendered.  Smith explores how conversations flow across social media platforms and messaging technologies and in and out of sight across the public domain. Darkness is the backstage where backchannel conversations take place outside of public view, in private and parochial spaces, and in the shadow spaces where communication crosses between platforms. This narrative threading view of conversation, which Smith frames as a multiplatform accomplishment, responds to the question held by so many researchers and people trying to interpret what people say in public on social media. Is what we see the tip of an iceberg or just a small blip in the ocean? From Smith’s work we can see that so much happens in the dark, beyond the gaze of the onlooker, where conversational practices move by their own logic. Smith argues that drawing on pre-digital conversational analysis techniques associated with ethnomethodology will illuminate the social logics that structure online interaction and increase our understanding of online sociality forces. Set in the context of merging platforms and the “rise of data”, Lee presents issues that undergird contemporary, globally connected media systems.  In translating descriptions of complex systems, the article critically discusses the changing relational quality of “the shadow of hierarchy” and “Platform Power”. The governmental use of private platforms, and the influence it has on power and opportunity for government and civil society is prefigured. The “dark” in this work is lucidly presented as a relationality; an expression of differing values, logics, and (techno)socialities. The author finds and highlights the line between traditional notions of "infrastructure" and the workings of contemporary digital platforms which is becoming increasingly indistinct. Lee concludes by showing how the intersection of platforms with public institutions and infrastructures has moulded society’s light into an evolving and emergent shadow of hierarchy over many domains where there are, as always, those that will have the advantage—and those that do not. Finally, Jethani and Fordyce present an understanding of “data provenance” as a metaphor and method both for analysing data as a social and political artefact. The authors point to the term via an inter-disciplinary history as a way to explain a custodial history of objects. They adroitly argue that in our contemporary communication environment that data is more than just a transact-able commodity. Data is vital—being acquired, shared, interpreted and re-used with significant influence and socio-technical affects. As we see in this article, the key methods that rely on the materiality and subjectivity of data extraction and interpretation are not to be ignored. Not least because they come with ethical challenges as the authors make clear. As an illuminating methodology, “data provenance” offers a narrative for data assets themselves (asking what, when, who, how, and why). In the process, the kinds of valences unearthed as being private, secret, or exclusive reveal aspects of the ‘dark’ (and ‘light’) that is the focus of this issue. References Bridle, James. New Dark Age: Technology and the End of the Future. London, UK: Verso Books, 2018. Crawford, Kate (katecrawford). “It happened: Facebook just went off the deep end in Australia. They are blocking *all* news content to Australians, and *no* Australian media can post news. This is what showdowns between states and platforms look like. It's deplatforming at scale.” 18 Feb. 2021. 22 Apr. 2021 〈 https://twitter.com/katecrawford/status/1362149306170368004 〉 . Fisher, Joshua A., and Jay David Bolter. "Ethical Considerations for AR Experiences at Dark Tourism Sites." 2018 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct) (2018): 365-69. Gehl, Robert. Weaving the Dark Web: Legitimacy on Freenet, Tor, and I2p. The Information Society Series. Cambridge, MA: MIT Press, 2018. Potter, Martin. “Bad Actors Never Sleep: Content Manipulation on Reddit.” Eds. Toija Cinque, Robert W. Gehl, Luke Heemsbergen, and Alexia Maddox. Continuum Dark Social Special Issue (forthcoming).
    Type of Medium: Online Resource
    ISSN: 1441-2616
    RVK:
    Language: Unknown
    Publisher: Queensland University of Technology
    Publication Date: 2021
    detail.hit.zdb_id: 2018737-3
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  • 7
    Online Resource
    Online Resource
    Queensland University of Technology ; 2022
    In:  M/C Journal Vol. 25, No. 1 ( 2022-03-17)
    In: M/C Journal, Queensland University of Technology, Vol. 25, No. 1 ( 2022-03-17)
    Abstract: Conspiracies have been a cultural mainstay for decades (Melley). While often framed as an American problem (Melley), social media has contributed to their global reach (Gerts et al.). Bruns, Harrington, and Hurcombe have traced the contemporary movement of conspiracy theories into the cultural mainstream from fringe conspiracist groups on social media platforms such as Facebook through their greater uptake in more diverse communities and to substantial amplification by celebrities, sports stars, and media outlets. Consequently, conspiracy theories that were once the product of subcultural groups have increasingly mixed into popular and authoritative media (Marwick and Lewis) and entertainment (Hyzen and van den Bulck; van den Bulck and Hyzen). Over the past five years conspiracy theories, whether they be anti-vaccination, politically motivated, or pop-cultural artefacts, have found their way into mainstream cultural discourse. Increasingly, conspiracy theories, once regarded as the domain of largely harmless eccentrics, are having real, material effects. These real-world harms are evident across a number of domains of social life, from the storming of the US Capitol on 6 January 2021 (Moskalenko and McCauley) to the effects of vaccine refusal and resistance which continue to stymie attempts to control the global COVID-19 pandemic (Baker, Wade, and Walsh). Digital spaces and communities have made conspiracy theories more accessible and transmissible. Conspiracies are persistent, resistant, and pervasive. The illusion of neat segmentation between the sites of conspiracy theorising and mainstream media content generation has vanished. However, our understanding of what motivates those engaging with and disseminating conspiracy theories is still partial and incomplete. While there is a large corpus of social psychological research into conspiracies, much of this research is focused on deficits in logic, reasoning, and/or personality traits. The focus of the ‘deficits’ of those draw to conspiracy theories is also reflected in popular discourse, where those believing in conspiracy theories are described within a variety of synonyms for the word ‘stupid’ (Chu, Yuan, and Liu). In this issue, we approach the topic of conspiracy from a different standpoint, exploring the sociological conditions that enable conspiracies to flourish. We have assembled a variety of articles, both empirical and conceptual, from which a more complex social picture of conspiracy emerges. To begin examining the complex social life of conspiracy theories, our feature article by Brownwyn Fredericks, Abraham Bradfield, Sue McAvoy, James Ward, Shea Spierings, Troy Combo, and Agnes Toth-Peter cuts through the conspiracy frame to a very real world example of the consequences of conspiracy. They examine the specific social contexts and media ecologies through which COVID-19 conspiracies have flourished in some (not all) Indigenous communities in Australia. Their analysis highlights the detrimental impacts of unresolved elements of settler colonialism that propagate conspiracist thinking within these communities. Through research conducted with stakeholder participants from the Indigenous health sector (both Indigenous and non-Indigenous) they outline a series of recommendations for how we can constructively address the demonstrated impact of circulating misinformation upon Indigenous communities in Australia. In their recommendations they reinforce the need to centralise Indigenous voices and expertise in our social and political life. Other articles in the issue explore how to theorise conspiracism, present examples of contemporary conspiracism in digital media, unpack methods for how to conduct research in this socially contentious space, and highlight the consequences of conspiracies. They draw examples of communities entangled with conspiracy theories and media environments across the world. Absence and presence (of evidence) are both important elements in conspiracy theorising. In contrast to scholarship that focusses on the spread of conspiracy-style misinformation, Tyler Easterbrook’s examination of dead links or ‘li nk rot’ online demonstrates how the absence and removal of information can be a powerful motivator of conspiracy rhetoric. Easterbrook’s work demonstrates the potential complexities of moderation models that emphasise the removal of conspiratorial content. The absence of content can be as powerful as its presence. Scott DeJong’s and Alex Bustamante’s article uses novel methods to interrogate the analogies we frequently use when discussing the spread of conspiracy theories online. In designing their own board system to model how conspiracy theories might spread, they speak to a growing body of work that likens conspiracy theories to game systems. DeJong’s and Bustamante’s article highlighted the powerful capacity of creative methods to speak to social problems. Echoing Easterbrook’s warning about the power of content removal to fuel conspiracy theorising, in their simulating DeJong and Bustamante found that there is an “interplay between the removal of content and its spread” and argue that “removing conspiracy is a band-aid solution to a larger problem”. With current attention focussed on the problem of moderating conspiracy and misinformation in digital ecologies, these articles are important considerations about the relative success of such a strategy. In their commentary examining so-called COVID-19 ‘cures’, Stephanie Alice Baker and Alexia Maddox explore how hydroxychloroquine and ivermectin shifted from potential COVID treatments to objects embroiled in conspiracy during the pandemic. Baker and Maddox highlight the interwoven nature of the conspiracy landscape illustrating the roles that public figures and influencers played in amplifying conspiratorial discourse and knowledge about these drugs. Importantly, as with DeJong and Bustamante, and as also highlighted by Easterbrook, they highlight how tackling conspiracy theories is not as simple as providing “accurate” facts to counter false and misleading information. Baker and Maddox argue that, paradoxically, the process of debunking which included mockery and derision “reinforces the audience segmentation that occurs in the current media ecology by virtue of alternative media with mockery and ridicule strengthening in and out group dynamics”. When debunking succumbs to ridicule, they suggest that critics may be strengthening people’s commitment to conspiratorial narratives and alternative influence networks. Tresa LeClerc’s article explores the increasing entanglement of health and wellness with alternative right (or alt-right) conspiracies, focussing on underlying themes of white nationalism within these communities. LeClerc’s piece compellingly traces the ideological underpinnings of purity within the paleo diet that already blend pseudoscience and conspiracy, highlighting the ways wellness spaces have cultivated modes of thinking that are conducive to alt-right conspiracies. Also delving into the intersections of wellness and conspiracy, Marie Heřmanová explores conspirituality and the politicisation of spiritual influencers during the COVID-19 pandemic, focusing on the case of prominent Czech lifestyle Instagrammer Helena Houdová who became an outspoken anti-vaxxer and COVID denialist. In a rich case study, Heřmanová examines the ways Helena blends her feminine aesthetic and aspirational and individualistic take on spirituality with conspiracy messages informed by QAnon and political messaging that speaks to both national history and global trends. Heřmanová astutely observes that the rise of conspirituality reveals the capacity of these influencers to bridge the gap between the everyday and personal, and the collective narratives of conspiracies such as QAnon.     Continuing to explore how conspiracy theories intersect with embodied and digital environments, in her article on ‘Coronaconspiracies’ Merlyna Lim examines the role algorithms and users play in facilitating conspiracy theories during the pandemic. Lim contends that social media provides a fertile environment for conspiracies to flourish, while maintaining that “social media algorithms do not have an absolute hegemony in translating the high visibility or even the virality of conspiracy theories into the beliefs in them”. As Lim explains, human users retain their agency online; it is their “choices” and “preferences” that are informed by the algorithmic dynamics of these technologies. Extending research into the relationship between conspiracy and algorithms, the impacts of labelling are foregrounded in the work of Ahmed Al-Rawi, Carmen Celestini, Nicole Stewart, and Nathan Worku. Their article presents a reverse-engineering approach to understanding how Google’s autocomplete feature assigns subtitles to widely known conspiracists. Google’s algorithmic approach to labelling actors is proprietary knowledge, which blackboxes this process to researchers and the wider public. This article provides a technical peek into how this may work, but also raises the concern that these labels do not reflect what is publicly known about these actors. Their work provides an insight into the ways that the Google autocomplete subtitling feature may further contribute to the negative real-world impacts that these conspiracists, and other such toxic actors, have. Stijn Peeters and Tom Willaert take us into the fringes of the online ecosystem to explore ways to research conspiracist communities on Telegram. They extrapolate on Richard Rogers‘s edict to ​​repurpose the methods of the medium and take us through a case-based examination of how to conduct a structural analysis of forwarded messages to identify conspiracy communities. In weighing up the results of applying this technique to Dutch-speaking conspiracist narratives and communities on Telegram they highlight the methodological gains of such a technique and the ethical considerations that doing this style of data gathering and analysis can raise. Moving away from the fringes, Naomi Smith and Clare Southerton take us into the belly of popular culture with their examination of the #FreeBritney movement and raise the proposition of conspiracy as a site of pleasure. They turn on its head the assumption that conspiracy thinking is because of a deficient and deviant understanding and point to the appeal and pleasure of engaging in the chase of partial threads and leads found in social media that could be woven into an explanation, or conspiracy. Drawing from fan studies, they highlight that pleasure is not a new site of motivation and that a lot can be learned by applying it as an explanatory frame for why people engage with conspiracies. The diverse body of scholarship assembled in this special issue illustrates the complex nature of contemporary conspiracies as they find expression in digital spaces and media. There are a variety of approaches to understanding this phenomenon that highlight how strategies of control and technological intervention may not be straightforwardly successful. The contributions to this issue demonstrate, from a range of perspectives, the importance of understanding how and why conspiracy theories matter to the communities that embrace them if we are to address their social consequences. References Baker, Stephanie Alice, Matthew Wade, and Michael James Walsh. "The Challenges of Responding to Misinformation during a Pandemic: Content Moderation and the Limitations of the Concept of Harm." Media International Australia 177 (2020): 103-07. Bruns, Axel, Stephen Harrington, and Edward Hurcombe. “‘Corona? 5G? Or Both?’: The Dynamics of COVID-19/5G Conspiracy Theories on Facebook." Media International Australia 177 (2020): 12-29. Chu, Haoran, Shupei Yuan, and Sixiao Liu. "Call Them Covidiots: Exploring the Effects of Aggressive Communication Style and Psychological Distance in the Communication of Covid-19." Public Understanding of Science 30.3 (2021): 240-57. Gerts, Dax, et al. “‘Thought I’d Share First’ and Other Conspiracy Theory Tweets from the Covid-19 Infodemic: Exploratory Study." JMIR Public Health Surveill 7.4 (2021): e26527. Hyzen, Aaron, and Hilde van den Bulck. "Conspiracies, Ideological Entrepreneurs, and Digital Popular Culture." Media and Communication 9 (2021): 179–88. Marwick, Alice, and Rebecca Lewis. "Media Manipulation and Disinformation Online." New York: Data & Society Research Institute, 2017. 7-19. Melley, Timothy. Empire of Conspiracy: The Culture of Paranoia in Postwar America. Cornell University Press, 2016. Moskalenko, Sophia, and Clark McCauley. "QAnon: Radical Opinion Versus Radical Action." Perspectives on Terrorism 15.2 (2021): 142-46. Van den Bulck, Hilde, and Aaron Hyzen. "Of Lizards and Ideological Entrepreneurs: Alex Jones and Infowars in the Relationship between Populist Nationalism and the Post-Global Media Ecology." International Communication Gazette 82.1 (2020): 42-59.
    Type of Medium: Online Resource
    ISSN: 1441-2616
    RVK:
    Language: Unknown
    Publisher: Queensland University of Technology
    Publication Date: 2022
    detail.hit.zdb_id: 2018737-3
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  • 8
    Online Resource
    Online Resource
    Informa UK Limited ; 2017
    In:  New Review of Academic Librarianship Vol. 23, No. 2-3 ( 2017-07-03), p. 125-135
    In: New Review of Academic Librarianship, Informa UK Limited, Vol. 23, No. 2-3 ( 2017-07-03), p. 125-135
    Type of Medium: Online Resource
    ISSN: 1361-4533 , 1740-7834
    Language: English
    Publisher: Informa UK Limited
    Publication Date: 2017
    detail.hit.zdb_id: 1306880-5
    detail.hit.zdb_id: 2149970-6
    SSG: 24,1
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  • 9
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    Informa UK Limited ; 2021
    In:  Continuum Vol. 35, No. 5 ( 2021-09-03), p. 661-666
    In: Continuum, Informa UK Limited, Vol. 35, No. 5 ( 2021-09-03), p. 661-666
    Type of Medium: Online Resource
    ISSN: 1030-4312 , 1469-3666
    RVK:
    Language: English
    Publisher: Informa UK Limited
    Publication Date: 2021
    detail.hit.zdb_id: 2018699-X
    SSG: 3,5
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  • 10
    In: Drug and Alcohol Review, Wiley, Vol. 41, No. 5 ( 2022-07), p. 1126-1130
    Abstract: Digital drugs, or binaural beats claimed to elicit specific cognitive or emotional states, are a phenomenon about which little is known. In this brief report, we describe demographic and drug use correlates of binaural beat use, patterns of use, reasons for use and methods of access. Methods The Global Drug Survey 2021 was translated into 11 languages; 30 896 responses were gathered from 22 countries. Results The use of binaural beats to experience altered states was reported by 5.3% of the sample (median age 27; 60.5% male), with the highest rates from the United States, Mexico, Brazil, Poland, Romania and the United Kingdom. Controlling for all variables, age and non‐male gender predicted binaural beat use, as did the recent use of cannabis, psychedelics and novel/new drugs. Respondents most commonly used binaural beats ‘to relax or fall asleep’ (72.2%) and ‘to change my mood’ (34.7%), while 11.7% reported trying ‘to get a similar effect to that of other drugs’. This latter motivation was more commonly reported among those who used classic psychedelics (16.5% vs. 7.9%; P   〈  0.001). The majority sought to connect with themselves (53.1%) or ‘something bigger than themselves’ (22.5%) through the experience. Binaural beats were accessed primarily through video streaming sites via mobile phones. Discussion and Conclusions This paper establishes the existence of the phenomenon of listening to binaural beats to elicit changes in embodied and psychological states. Future research directions include the cultural context for consumption and proximate experiences, including co‐use with ingestible drugs and other auditory phenomena.
    Type of Medium: Online Resource
    ISSN: 0959-5236 , 1465-3362
    URL: Issue
    Language: English
    Publisher: Wiley
    Publication Date: 2022
    detail.hit.zdb_id: 1476371-0
    SSG: 15,3
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