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  • 1
    Online Resource
    Online Resource
    SAGE Publications ; 2007
    In:  Media, Culture & Society Vol. 29, No. 5 ( 2007-09), p. 753-771
    In: Media, Culture & Society, SAGE Publications, Vol. 29, No. 5 ( 2007-09), p. 753-771
    Abstract: The Korean audio-visual industry has begun producing and exporting domestic television programs and films on a large scale, while reducing imports from the US. The reverse or counter-cultural imperialism, which emphasized the arrival of cultural pluralism, seems to apply in the case of Korea, with the rapid growth of domestic cultural industries and their exports to the East and Southeast Asian regions. The process remains complex, however, because the US still dominates the Korean cultural market through both cultural products and capital. This article investigates the recent development of Korea’s cultural industry as empirical evidence to demonstrate whether cultural imperialism has phased out. It explores Korean cultural product flow in Asia by focusing on product sourcing as well as several dimensions of causality for the increase in exports of cultural products to ascertain the role of the Korean cultural industry in audiovisual product trade in recent years. It then challenges the assertions made by the reverse cultural imperialism thesis and explores whether the concept of cultural imperialism is still useful in explaining the Korean cultural market. The article also analyzes the nature of the transnationalization of the Korea cultural industry as one of the most significant forms of current cultural imperialism
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
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    Language: English
    Publisher: SAGE Publications
    Publication Date: 2007
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 2
    Online Resource
    Online Resource
    SAGE Publications ; 2017
    In:  Media, Culture & Society Vol. 39, No. 5 ( 2017-07), p. 715-726
    In: Media, Culture & Society, SAGE Publications, Vol. 39, No. 5 ( 2017-07), p. 715-726
    Abstract: This article is to document digital Korea. It discusses the sociocultural contexts of the growth of digital technologies and culture because the current boom of digital technologies and culture cannot be separated from each other. Although it cannot go back several decades, it starts to address some early developments of the Internet directly influencing the contemporary Korean society. This historicization process allows us to firmly comprehend several key developments, in particular, the major reasons for development and the implications of the digital Korean phenomenon. While there are several digital technologies, it analyzes a few major digital technologies, such as the Internet, broadband services, and smartphone technologies, as well as relevant digital culture, from three different lens, including information and communication technology policies, corporate competition, and cultural perspectives.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
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    Language: English
    Publisher: SAGE Publications
    Publication Date: 2017
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 3
    Online Resource
    Online Resource
    SAGE Publications ; 2021
    In:  Media, Culture & Society Vol. 43, No. 1 ( 2021-01), p. 150-157
    In: Media, Culture & Society, SAGE Publications, Vol. 43, No. 1 ( 2021-01), p. 150-157
    Abstract: The academic discourse on the West and the East is not new, and it has been commonly believed that non-Western countries must learn from the West in order to develop their own societies. Here, comprehending the notion of the West is considered significant, as it offers a model of comparison. While it is not necessary for the perspectives and process to be radical, it should be convincing to grasp Asia as a formation of a changeable force to the West. Of course, media scholars have to avoid limited perspectives emphasizing only intra-Asian dialogues; instead they must analyze Asian perspectives in the globalization context. What non-Western scholars must contemplate are not only paradigms that are unique to Asian society but also general trends and norms that apply to the globe so that they can identify new trends and directions, which provide fundamentals to advance new theories and norms in global media studies. This certainly contributes to a broadening of media theory and comprehension in a way that takes account of the practices of non-Western countries outside the Anglo-American sphere.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
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    Language: English
    Publisher: SAGE Publications
    Publication Date: 2021
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 4
    Online Resource
    Online Resource
    SAGE Publications ; 2006
    In:  Media, Culture & Society Vol. 28, No. 1 ( 2006-01), p. 5-23
    In: Media, Culture & Society, SAGE Publications, Vol. 28, No. 1 ( 2006-01), p. 5-23
    Abstract: The Korean film business has witnessed a swift and steady growth in the production of, and audiences for, domestic films over the past several years. This article attempts to clarify the cause of these changes and goes on to discuss the Korean film industry with a special focus on state cultural policy. The article then explicates the impact of the changing cultural policy on the film business by examining the influx of domestic capital into the film industry. It also analyzes the impact of neoliberal cultural policies on the transnationalization of the Korea film industry. Finally, it discusses whether changing cultural policies have maintained or developed cultural identity, such as Korean traditions and nationalism, in domestic films.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
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    Language: English
    Publisher: SAGE Publications
    Publication Date: 2006
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 5
    Online Resource
    Online Resource
    SAGE Publications ; 2012
    In:  Media, Culture & Society Vol. 34, No. 6 ( 2012-09), p. 761-772
    In: Media, Culture & Society, SAGE Publications, Vol. 34, No. 6 ( 2012-09), p. 761-772
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
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    Language: English
    Publisher: SAGE Publications
    Publication Date: 2012
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
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  • 6
    Online Resource
    Online Resource
    SAGE Publications ; 2019
    In:  Media, Culture & Society Vol. 41, No. 5 ( 2019-07), p. 604-619
    In: Media, Culture & Society, SAGE Publications, Vol. 41, No. 5 ( 2019-07), p. 604-619
    Abstract: This article has examined how the Hallyu phenomenon is integrated into a transnational global cultural landscape, focusing on Chilean reception of K-pop. It analyzed how Hallyu fans engage with a social media-saturated environment in Chile, mapping out transnational pop cultural flows within the digital media environment through which the participatory culture of media users is spread. What is interesting is that Chilean society, in general, shows negative attitudes toward K-pop fans. More importantly, while many Chileans consider K-pop fans weird and strange, often disparaging their family members and friends for liking such music, the marginalization of K-pop fans in Chile promotes a greater sense of bonding among them through the affinity spaces of social media. Under this circumstance, most of our interviewees explained that digital media plays a vital role in the dissemination of K-pop in Chile and Latin America. Unlike Hallyu fans in other regions, K-pop fans in Chile have developed cultural intimacy specific to digital site-media, primarily in the realm of social media, and K-pop generates the creation of affinity spaces via different social media platforms.
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
    RVK:
    RVK:
    RVK:
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2019
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
    Location Call Number Limitation Availability
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  • 7
    Online Resource
    Online Resource
    SAGE Publications ; 2008
    In:  Media, Culture & Society Vol. 30, No. 3 ( 2008-05), p. 357-373
    In: Media, Culture & Society, SAGE Publications, Vol. 30, No. 3 ( 2008-05), p. 357-373
    Type of Medium: Online Resource
    ISSN: 0163-4437 , 1460-3675
    RVK:
    RVK:
    RVK:
    Language: English
    Publisher: SAGE Publications
    Publication Date: 2008
    detail.hit.zdb_id: 1482824-8
    SSG: 2
    SSG: 3,4
    SSG: 3,5
    SSG: 3,6
    SSG: 3,7
    Location Call Number Limitation Availability
    BibTip Others were also interested in ...
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