Schlagwort(e):
Eliot, George, Knowledge
;
Psychology.
;
Eliot, George,
;
Eliot, George,
;
Eliot, George, Characters.
;
Eliot, George 1819-1880 Knowledge
;
Psychology
;
Eliot, George 1819-1880
;
Eliot, George 1819-1880
;
Eliot, George 1819-1880 Characters
;
Eliot, George
;
Eliot, George
;
Eliot, George Characters
;
Eliot, George Knowledge
;
Psychology
;
Eliot, George Characters
;
Eliot, George
;
Eliot, George
;
Eliot, George Knowledge
;
Psychology
;
Eliot, George, Knowledge
;
Psychology.
;
Eliot, George,
;
Eliot, George,
;
Eliot, George, Characters.
;
Eliot, George
;
Middlemarch (Eliot, George)
;
Daniel Deronda (Eliot, George)
;
Psychological fiction, English History and criticism.
;
Psychoanalysis and literature
;
Psychology in literature.
;
Psychological fiction, English History and criticism
;
Psychoanalysis and literature England
;
Psychology in literature
;
Psychological fiction, English History and criticism
;
Psychoanalysis and literature
;
Psychological fiction, English History and criticism
;
Psychoanalysis and literature
;
Psychology in literature
;
Psychological fiction, English History and criticism.
;
Psychoanalysis and literature
;
Psychology in literature.
;
LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh
;
Characters and characteristics
;
Psychoanalysis and literature
;
Psychological fiction, English
;
Psychology
;
Psychology in literature
;
Criticism, interpretation, etc
;
England
;
Electronic books.
;
Electronic books
;
Electronic books.
;
Electronic books
;
Eliot, George 1819-1880
;
Eliot, George 1819-1880
Beschreibung / Inhaltsverzeichnis:
"In a probing analysis that has broad implications for theories of reading, Bernard J. Paris explores how personal needs and changes in his own psychology have affected his responses to George Eliot over the years. Having lost his earlier enthusiasm for her "Religion of Humanity," he now appreciates the psychological intuitions that are embodied in her brilliant portraits of characters and relationships. Concentrating on Eliot's most impressive psychological novels, Middlemarch and Daniel Deronda, Paris focuses on her detailed portrayals of major characters in an effort to recover her intuitions and appreciate her mimetic achievement. He argues that although she intended for her characters to provide confirmation of her views, she was instead led to deeper, more enduring truths, although she did not consciously comprehend the discoveries she had made. Like her characters, Paris argues, these truths must be disengaged from her rhetoric in order to be perceived."--Jacket
Materialart:
Online-Ressource
Seiten:
xiii, 220 p
,
23 cm
Ausgabe:
Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
ISBN:
141753141X
,
9781417531417
Serie:
SUNY series in psychoanalysis and culture
URL:
http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=114226
URL:
https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=114226
URL:
http://www.gbv.de/dms/bowker/toc/9780791458334.pdf
Sprache:
Englisch
Anmerkung:
Includes bibliographical references (p. 213-215) and index
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2004
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