In:
International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education, IFIASA (Ideas Forum International Academic and Scientific Association), Vol. 4, No. 1 ( 2020-12-7), p. 123-128
Abstract:
This study aims to present some arguments that would highlight the difference in the approach of a dramatic text from a literary, conventional perspective and from an organic, violently subjective one. The analysis of drama from an acting perspective involves a set of difficulties and peculiarities resulted especially from its dual nature, because it is in the same time literature (fiction), as well as theater (action, show). The completion of a dramatic text involves, most often, its transformation into a show, but also into a processually-objective reality through the actor's creativity. The logical mechanisms typical to the acting creation process can often be inhibited by the need to exert self-control, due to a pattern of thinking extensively promoted in contemporary society, and that mostly aims success instead of encouraging an honest journey of self-discovery through theatre
Type of Medium:
Online Resource
ISSN:
2601-839X
,
2601-8403
Uniform Title:
THE CONVENTIONAL APPROACH OF DRAMATIC SITUATIONS TO THE DISADVANTAGE OF THE ORGANIC APPROACH FROM A HUMAN PERSPECTIVE
DOI:
10.26520/mcdsare.2020.4
DOI:
10.26520/mcdsare.2020.4.123-128
Language:
Unknown
Publisher:
IFIASA (Ideas Forum International Academic and Scientific Association)
Publication Date:
2020
detail.hit.zdb_id:
3003393-7
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