GLORIA

GEOMAR Library Ocean Research Information Access

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Romance Studies  (2)
  • Social and cultural anthropology  (2)
Material
Person/Organisation
Language
Years
FID
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    University of Illinois Press ; 2004
    In:  Journal of American Folklore Vol. 117, No. 466 ( 2004-10-01), p. 446-454
    In: Journal of American Folklore, University of Illinois Press, Vol. 117, No. 466 ( 2004-10-01), p. 446-454
    Abstract: This note explores the possibilities of a critical regionalist approach to the study of folk communities through an examination of a community arts organization that imagines and produces an enriched inner-city region through practices that critically examine received dominant values and celebrate available community resources. Following Appadurai, the organization’s attempt to "control the means of their own self-reproduction" is explored through the attention to time, revision of space, creation of rituals, and focus on perception.
    Type of Medium: Online Resource
    ISSN: 0021-8715 , 1535-1882
    RVK:
    Language: English
    Publisher: University of Illinois Press
    Publication Date: 2004
    detail.hit.zdb_id: 2050513-9
    SSG: 7,26
    Location Call Number Limitation Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    University of Illinois Press ; 2004
    In:  Journal of American Folklore Vol. 117, No. 466 ( 2004-10-01), p. 373-393
    In: Journal of American Folklore, University of Illinois Press, Vol. 117, No. 466 ( 2004-10-01), p. 373-393
    Abstract: As numerous scholars have chronicled, the decade of the 1930s in America witnessed an explosion ofpopular interest in the presumptions and protocols of cultural ethnography. The Depression years were a time when such academic-sociological studies as Constance Rourke’s American Humor, Zora Neal Hurston’s Mules and Men, Ruth Benedict’s Patterns of Culture, and Howard Odum’s various studies of rural Appalachia became virtual bestsellers in their own right-each animated by what might be called an indexical-excavatory enthusiasm for unearthing, itemizing, and exhibiting the vestiges (both material and human) of America’s putatively "vanishing" past. This article sets out to assess the cultural and ideological work this wide-ranging impulse performed, probing the ways that mainstream or popular ethnography in the 1930s (despite its often explicit interest in critiquing or challenging commercial modernity) came to underwrite a particular and highly over-determined narrative of corporate-capitalist "progress." To accomplish this, I examine three discrete yet exemplary ethnographic texts: Dorothea Lange’s An American Exodus, John Steinbeck’s The Grapes of Wrath, and James Agee and Walker Evans’s Let Us Now Praise Famous Men. Documenting places and people feared to be most immediately threatened by industrial-commercial development, I argue that these writers ultimately depicted America’s socioeconomic fringes not as the repository of a redemptive "folk" culture, but as the site and source of commercial capitalism’s own heroic and authentic "roots." Behind their interest in excavating and documenting the artifacts of a bygone age was a more formative desire to invent a model of the vernacular past that could somehow imbue capitalism’s rationalized and articulated operations with a tangible sense of historicity, a palpable and authenticating texture of "pastness."
    Type of Medium: Online Resource
    ISSN: 0021-8715 , 1535-1882
    RVK:
    Language: English
    Publisher: University of Illinois Press
    Publication Date: 2004
    detail.hit.zdb_id: 2050513-9
    SSG: 7,26
    Location Call Number Limitation Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...