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  • Consortium Erudit  (3)
  • 2020-2024  (3)
  • Musicology  (3)
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  • Consortium Erudit  (3)
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  • 2020-2024  (3)
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  • Musicology  (3)
  • 1
    Online Resource
    Online Resource
    Consortium Erudit ; 2022
    In:  Circuit Vol. 32, No. 2 ( 2022-08-31), p. 22-27
    In: Circuit, Consortium Erudit, Vol. 32, No. 2 ( 2022-08-31), p. 22-27
    Abstract: In this short essay, originally published in 2015 in Slate , the author looks at the relation between art-making and an awareness of the disasters associated with the Anthropocene: can we, should we, still focus on making works of art, detached from the world? Recalling his youthful involvement in environmental activism in Alaska, Adams remembers choosing to be a composer because, in that role, he was irreplaceable. For him, being fully engaged in a creative activity with no political agenda, or even a particular theme, allows him to make music that is authentically expressive, free of possible social meanings, and thus capable of inspiring renewed consciousness in its listeners. The responsibility of the artist is to their art, which may then help our species transform its way of being in the world.
    Type of Medium: Online Resource
    ISSN: 1488-9692 , 1183-1693
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2022
    detail.hit.zdb_id: 2123401-2
    SSG: 9,2
    Location Call Number Limitation Availability
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  • 2
    Online Resource
    Online Resource
    Consortium Erudit ; 2022
    In:  Circuit Vol. 32, No. 2 ( 2022-08-31), p. 78-89
    In: Circuit, Consortium Erudit, Vol. 32, No. 2 ( 2022-08-31), p. 78-89
    Abstract: This interview, conducted in September 2021, sweeps through the major themes of the research and creative activity of French composer and sociologist François Ribac, focusing on the collaborative project “Performing Arts and Music in the Anthropocene” (2016-2019), which combined a research program (field surveys on the materiality of musical instruments and on the ecological positioning of various groups and institutions), an international seminar (“The Sound of the Anthropocene”), as well as collective actions (notably the Grand Orchestre de la Transition) involving artists, activists and inhabitants of Dijon. This program led Ribac to identify three main approaches to environmentalism: the politics of limiting the material footprint of stage production; the production of works alerting or educating the public about the ecological crisis; and finally, the co-construction of local participatory projects combining material and aesthetic dimensions. The interview also addresses research questions on environmental history and representations of nature in classical music, as well as current political issues.
    Type of Medium: Online Resource
    ISSN: 1488-9692 , 1183-1693
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2022
    detail.hit.zdb_id: 2123401-2
    SSG: 9,2
    Location Call Number Limitation Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Consortium Erudit ; 2022
    In:  Circuit Vol. 32, No. 2 ( 2022-08-31), p. 9-21
    In: Circuit, Consortium Erudit, Vol. 32, No. 2 ( 2022-08-31), p. 9-21
    Type of Medium: Online Resource
    ISSN: 1488-9692 , 1183-1693
    Language: French
    Publisher: Consortium Erudit
    Publication Date: 2022
    detail.hit.zdb_id: 2123401-2
    SSG: 9,2
    Location Call Number Limitation Availability
    BibTip Others were also interested in ...
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