In:
The Journal of the Acoustical Society of America, Acoustical Society of America (ASA), Vol. 113, No. 4_Supplement ( 2003-04-01), p. 2328-2329
Abstract:
The father of bluegrass and long-time member of the Opry in Nashville, Bill Monroe, had a number of musical influences, including blues, gospel, and the American versions of Anglo-Scots-Irish folk music endemic to Appalachia. (Although Bill Monroe was from western Kentucky, the Appalachian influence is apparent.) In 1946 he recorded a song for Columbia Records that he had written. This song was recorded again in 1954 at Sun Studios as a ‘‘B side’’ by the future king of rock and roll, Elvis Presley. Raised in East Tupelo, MS and Memphis, Elvis’ music derived from the mid-south’s blues and gospel music, but with a peculiar honkytonk-informed, Memphis style. We will compare these artists through this common song and their spoken interviews in terms of voice quality and English dialect. Some copy-synthesis of these artists will be attempted in our search for the high, lonesome and rock and roll sounds.
Type of Medium:
Online Resource
ISSN:
0001-4966
,
1520-8524
Language:
English
Publisher:
Acoustical Society of America (ASA)
Publication Date:
2003
detail.hit.zdb_id:
1461063-2
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